Sarah Hotchkiss wrote a positive review for "Visions into Infinite Archives"
"Black Salt Collective Agitates the Archive with 'Visions' at SOMArts"
Perkins’ work is sprinkled throughout the exhibition as papier-mâché masks, collaborations with her father (Olen Perkins, responsible for the wonderful knob-nosed sculptureSnake brain) and Xerox transfers affixed to the edges of the gallery’s movable walls. These vertical pieces, once united as strips of wallpaper, create a fitting metaphor for Visions Into Infinite Archives as a whole. With Perkins’ work separated, occupying what is usually unused space, it’s as if a wall opened up to reveal a multitude of vibrant histories, personal narratives and potential futures behind its façade — all emblematic of a network that deserves more attention more often.